Dear J, J, L and L,
About a year from now all four of you will live in a different state from each other. Already I’m in mourning.
I’d like to think that life will coöperate with my plans to visit one of you at least every other month. I promise I’d keep them short visits, if they’re frequent.
We all know how that plan will work out.
There’s so very little anyone can do to prepare for the experience of parenting. And then after eighteen or more years of figuring it out there’s also nothing that prepares anyone for when those kids leave home, or when they leave the state, or the country.
You know that scene in the movie ET? Oh yeah, I forget, some of you haven’t even seen ET. (I truly have failed in your cultural development. We won’t even mention that one of you didn’t recognize a Beatles song when you were old enough to date.)
Here’s my condensed version of the movie, skipping all the exciting but less essential parts and getting to the heart of the matter of whatever this is I’m trying to understand and/or explain.
Forget what anyone tells you about Reese’s Pieces, or frogs, or getting drunk vicariously.
The important scene is the one when ET has phoned home and they send a megaship from the home galaxy to pick him up. He’s way past curfew by, I don’t know, a few weeks. He’ll be grounded for light-years. Anyway, he and Elliott, the main character, have bonded in a Spock mind meld kind of way, ish, and now they are best buddies. Elliot doesn’t want ET to go home. ET wants Elliott to go with him. Elliott wants ET to stay.
Now, pay attention, this is the point of this rambling story.
ET has this glowing heart that he points to and says, “Ouch” as he points to Elliott. Then Elliott points to his heart and says, “Ouch.” Of course, everyone except the dog is crying. And then ET gets that magical glowing fingertip and points to Elliott’s forehead and says, “I’ll be right here.”
I don’t know if I’m ET or if I’m Elliott, but either way, tears and “Ouch” and “I’ll be right here” seem to say what I feel about any one of you being farther away than a twenty-minute drive. A two-hour flight is about all I can tolerate. Don’t even consider space travel.
How will I manage?
You all will be just fine. Your lives will go on. Mine will feel like a train leaving the tracks.
Of course it sounds like you’re all leaving en masse, when the truth of the matter is one of you has been out-of-state for a few years now and somehow I keep breathing. And you’ve all left for a while, and come back and left and come back, ish.
I might have to book a cruise, or an Antarctic expedition, followed by a trip to anywhere that doesn’t involve reality or getting on with my life without all or most of you nearby. Or just as real a possibility as any of those, maybe I can get a flying bicycle…
Let me try a different medium.
We’ll leave science fiction and fantasy and try music.
The Phillip Phillips song “Gone, Gone, Gone” seems to capture some of what I feel about the future and the now.
Sure, it’s a love song, but then, so is being a mother.
I already miss you.
Love forever,
Mom
Have a listen, the lyrics follow:
“Gone, Gone, Gone”
When life leaves you high and dry
I’ll be at your door tonight
If you need help, if you need help.
I’ll shut down the city lights,
I’ll lie, cheat, I’ll beg and bribe
To make you well, to make you well.
When enemies are at your door
I’ll carry you away from war
If you need help, if you need help.
Your hope dangling by a string
I’ll share in your suffering
To make you well, to make you well.
Give me reasons to believe
That you would do the same for me.
And I would do it for you, for you.
Baby, I’m not moving on
I’ll love you long after you’re gone.
For you, for you.
You will never sleep alone.
I’ll love you long after you’re gone
And long after you’re gone, gone, gone.
When you fall like a statue
I’m gon’ be there to catch you
Put you on your feet, you on your feet.
And if your well is empty
Not a thing will prevent me.
Tell me what you need, what do you need?
I surrender honestly.
You’ve always done the same for me.
So I would do it for you, for you.
Baby, I’m not moving on,
I’ll love you long after you’re gone.
For you, for you.
You will never sleep alone.
I’ll love you long after you’re gone
And long after you’re gone, gone, gone.
You’re my back bone.
You’re my cornerstone.
You’re my crutch when my legs stop moving.
You’re my head start.
You’re my rugged heart.
You’re the pulse that I’ve always needed.
Like a drum, baby, don’t stop beating.
Like a drum, baby, don’t stop beating.
Like a drum, baby, don’t stop beating.
Like a drum my heart never stops beating…
For you, for you.
Baby, I’m not moving on.
I’ll love you long after you’re gone.
For you, for you.
You will never sleep alone.
I’ll love you long after you’re gone.
For you, for you.
Baby, I’m not moving on,
I’ll love you long after you’re gone.
For you, for you.
You will never sleep alone.
I’ll love you long, long after you’re gone.
Like a drum, baby, don’t stop beating.
Like a drum, baby, don’t stop beating.
Like a drum, baby, don’t stop beating.
Like a drum my heart never stops beating for you.
And long after you’re gone, gone, gone.
I’ll love you long after you’re gone, gone, gone.
~ This song was co-written by Derek Fuhrmann, Todd Clark and Gregg Wattenberg.
Awww, this one made me cry! I can’t ever hear that song now and not think of you. 🙂
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I cried writing it, so that seems fair.
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